Guided missives

Ard ard (Surface-to-surface): The story of a graffiti revolution
Sherif Abdel-Megid
Egyptian Association for Books 2011
ISBN 978-977-207-102-9

Graffiti -- the art of the masses, by the masses, for the masses -- has existed since ancient times, with examples dating back to ancient Greece, the Roman Empire, and arguably to Pharaonic Egypt. Sherif Abdel-Megid, a writer who works for Egyptian television, boasts that Egypt's revolution and the explosion of popular art that followed it finds its roots in the decay of the Sixth dynasty in Egypt's Old Kingdom, following the reign of Pepi II (2278-2184 BC), credited with having the longest reign of any monarch in history at 94 years (Mubarak, eat your heart out). His own decline paralleled the disintegration of the kingdom and it is thanks to Pharaonic graffiti that we know about it.

I confess that I cringe when I see the word “post-modern.” This word has obscured more discussions, confused more gullible readers, and conned more writers than any word since “existential” and its “-ism.” For the most part, it has served as a kind of fashionable linguistic operator that signals something radical and profound will follow. Almost always, what follows disappoints.

Eric Walberg’s book, Postmodern Imperialism (Clarity Press, 2011), doesn’t change my general opinion of the word, though what follows the title certainly doesn’t disappoint.

Walberg has offered a welcome taxonomy of imperialism from its nineteenth century genesis until today; he has given a plausible explanation of imperialism’s contours since the exit of the Soviet Union and Eastern European socialism from the world stage; and he has convincingly described Israel’s unique role in the continuing reshaping of imperialism’s grasp for world domination.

 I. Let the Games Begin…Again…and Again

The great disaffected masses tell us that history is on the march and, as usual, guns and butter are the simpler issues. In America, support dwindles for a war that has lasted a decade. Drone missiles, each costing $100,000, kill “terrorists” in gutturally named, chicken-scratch places bewilderingly far from America’s hometowns, whose simple citizens ask where their taxes go. Costs of the Afghanistan war this year are the highest ever, $119.4 billion and counting.[1] Polls show historically deep disaffection with The System. The mask of America-First patriotism is falling, revealing an intoxicated self-grandiosity and will to power by renascent Bush-era neocons and cynical manipulations by the CEO caste and other one-percenters for more and more wealth, and whose sense of entitlement the victims of class warfare, lumpen proles and petit bourgeoisie alike, seem unable to stomach any longer.[2] Approval of the Republican led-by-gridlock Congress hovers around fifteen percent.[3] Ever-larger protests in other cities in America and internationally have extended those on Wall Street – protests even a year ago one would never have predicted – and “class warfare – rich against poor” appears on the protestors’ signs.

The disaffected might also ask why the US, as Eric Walberg notes in his extraordinary new book, has 730 American military bases in fifty countries around the globe, and why the US share of the world’s military expenditures is 42.8% while, by comparison, China’s is 7.3% and Russia’s 3.6%. The unavoidable irony is that the Pax Americana seems to be requiring endless war with no particular rationale behind it – and truly astonishing numbers of dollars are spent on behalf of war rather than at home. What may be fatally undermining credibility in America’s “transcendent values” has been the sense that as the facts filter down to the masses, the Empire’s new clothes appear to be the same as that of past empires. All empires have births and deaths – the US Empire will be no different. Internal contradictions of the US efforts to control the globe seem now to be sending things spiraling out of control.[4]

Eric Walberg’s acute insights into the contemporary global order raise many questions about the continued viability of the American and Israeli focus on wealth and power. Perhaps understandably, his interests and insights inspired by the Islamic world make him a penetrating commentator on peoples who are a product of Christian and Jewish tradition.

Walberg is a Canadian authority on the Middle East, Central Asia and Russia who writes for Al Ahram, the best known English language newspaper in the Middle East.

Though the number of critical voices concerning Israel, Zionism and Jewish power is growing steadily, a clear distinction can be made on the one hand between contributors who operate within the discourse and are politically oriented, and others who transcend themselves above and beyond any given political paradigm.

The former category refers to writers and scholars who operate 'within the box,' accepting the restrictive measures of a given political and intellectual discourse. A thinker who operates within such a framework would initially identify the boundaries of the discourse, and then shape his or her ideas to fit in accordingly. The latter category refers to a far more challenging intellectual attempt: it includes those very few who operate within a post-political realm, those who defy the dictatorship of 'political-correctness', or any given 'party-line'. It relates to those minds that think 'out of the box'. And it is actually those who, like artists, plant the seeds of a possible conceptual and consciousness shift.